Review: “Charm” (A Cinderella Reverse Fairytale Book 1) by J.A. Armitage


Charm (reverse Fairytales) (Volume 1)

A review by Vanessa

What’s a girl to do when she suddenly finds herself the heir to a kingdom, in need of a husband and totally devoid of any romantic entanglements? First, she must mourn the loss of her older sister, and then she needs to take dancing and etiquette lessons fit for a Queen. The ball meant for Princess Charmaine’s older sister to find a husband among 100 applicants is still going to happen but Charmaine is going to have to do the dancing and the picking. It’s the last thing she ever wanted, especially since she sucks at dancing, but when she wanders down to the kitchen for a late dinner she finds help in the form of handsome, downtrodden, dishwasher named Cynder. He just happens to know how to dance, and he does magic. Romance isn’t something she can have with him, because he is a servant and a mage, but she just can’t help it. Cynder opens her eyes to so much, including love, and the tense state of the kingdom surrounding the subhuman treatment of magic users. But Charmaine needs to pick five potentials out of the 100, and over the next months, narrow it down to one. But when chaos erupts at the ball, and the magic users make it known how unhappy they are, things might just not go according to plan.

This book definitely had all of the meat and potatoes of a good story with enough depth of conflict and emotional gravitas to keep the readers’ interest. The twist of making the Cinderella character male, and the Prince a Princess, while throwing in the political climate surrounding magic and those who use it was interesting. Making his status as a magic user the source of Cynder’s downtrodden life was really intriguing. Princess Charmaine is actually an interesting character to follow, and the way she looks at and regards the other characters is an interesting lens through which to view the story. However, she herself at times seems a bit two dimensional. You want her to step up and be the hero of her story, as the Prince would be in the original story line, but she seems to end up flowing with the story rather than driving it along. She has great moments of intrigue occasionally, especially when plunged into romantic situations, but she lacks the gumption you would want from the hero of the story.

While the concept of this reversal of the fairy tale is an interesting one and it was overall a pleasant read, I couldn’t help being a little disappointed with the world building. Turning this classic fairy tale upside down and inside out presented a chance to create a whole new fictional universe, but I feel like it was a very large missed opportunity. Instead of being new it ended up being simply a modern day wherever, with modern technology like cameras and TV, but for some inexplicable reason they ride around in carriages, and there happens to be magic. It’s very difficult to get a mental picture of the kingdom. Are they a castle province in the middle of an American-like township, with modern apartments and businesses, etc? Or are they in an old timey British-like town with old architecture, and traditional crafters and artisans? It’s almost like Armitage took a bunch of elements of older fairy tale worlds, threw them in a blender with some modern day elements and hit frappe! The last thing you want to do with a first in a series is make it difficult to imagine how the characters fit into the world. I enjoyed this one enough to try the next in the series but I will be keeping my fingers crossed for stronger world building.

3 out of 5 stars

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Review: “Seeing Red” by Sandra Brown

Seeing Red
A review by Vanessa

This book was purchased and suggested by my mother, an avid mystery reader.

Sleeping off a hangover, and staying out of the spotlight, are John Trapper’s top priorities in life when news reporter Kerra comes walking through the door of his P.I. office. But if the bombshell of information she just dropped on his desk is any indication, he won’t be achieving either of those. Kerra wants Trapper’s help to get in contact with his famous, and now reclusive, hero father so she can reveal a secret of her own to the world; a secret about the infamous Pegasus hotel bombing that happened to make Major Trapper a hero 25 years prior. But Trapper knows there is more to the bombing than anyone else thinks from his time investigating it while at the ATF. His obsession with the tragedy that shaped his father’s, and by extension his, life got him fired 3 years ago, and left him estranged from his father. But the appearance of Kerra might just be the one thing that breaks the whole mystery wide open. Kerra won’t give up until she gets an interview with the man who saved her life all those years ago. She’s prepared do what she has to. What she isn’t prepared for are her feelings for Trapper. She can see the wounds he tries to hide, and she knows together they can find the answers to the questions he has. Especially when finding those answers may be the only thing that saves her life this time.
This book is a good read and the prose itself is as flawless as it can be. The dialogue is engaging, and scenes playing out between the characters were filled with tension and interesting twists. Last minute changes in direction during the action keep the reader engaged and propel the story line forward. The love interest is scorching and not easily to be forgotten. The hero is the very definition of smoldering; your classic brooding sex-god with a difficult past that you can’t help but fall in love with and want to “save.” The heroine is no exception to this of course. On the whole Kerra stands on her own ground for most of the story; holding on to her determination, displaying her strength of character and stubbornness without shame, and generally giving the hero a run for his money.
The only mildly disappointing thing is that after meeting Trapper, each time Kerra makes a move within the story line so much of her motivation is linked directly to him. Yes, her initial determination is for herself at the beginning and that makes her an interesting catalyst for the beginning of the story line. But thereafter her personal journey takes a back seat to his. Kerra has such an interesting backstory, but her background doesn’t seem to inform her current behavior at all after it has been established. With Trapper, you can see the personal torture that comes with it every decision he makes, and it makes him a very engaging character even when he is being a jerk. But for Kerra there are so many moments throughout the book where she seems to be there more as a prop for the hero rather than as a driving factor in the plot line of the book, even though her life is literally on the line. Although she fades in later chapters she isn’t an entirely gray character, and the story as a whole keeps the dynamic between the characters, including Kerra, interesting and engaging. Good read.

4 out of 5 stars

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Review: “In a Dark, Dark Wood” by Ruth Ware

A review by Emily

In a Dark, Dark Wood by Ruth Ware is a New York Times Bestseller and is soon to be adapted to the big screen by Reese Witherspoon. This novel is a mystery thriller about a 26-year-old introverted, mystery writer (though this profession doesn’t seem to make sense to assign to a character described as having little life experience and naivete) named Nora who receives an invitation to a Bachelorette party weekend of a friend she hasn’t seen in 10 years. She is puzzled by the invite and hesitant to attend but gets roped into going by another friend of hers from high school with whom she has also lost touch.

Nora has tried for the last 10 years to put and keep her ex-best friend Clare and her ex-boyfriend in the past and she struggles with moving forward with her life and having to deal with past insecurities. We don’t learn of the deep connection between she and her ex-boyfriend until half-way through the novel, which could have been introduced earlier and been developed more to make the reader care more about her lost relationship and the events that follow. We never do learn about how Nora and Clare broke off their friendship; there had been a lead up to it the entire novel as if it were a big conflict that ended their friendship, which would have explained a lot of tension between the characters but this is not explored as thoroughly as I would have liked.

Throughout the novel, a lot of the characters motivations do not seem to add up or do not seem completely authentic. One character whom could have been implicated as the guilty party, is never explored as a suspect although there could have been a large, gleaming motive for murder that is never mentioned, which could have added more mystery and suspense to the story. The main stage of the whole novel is a mysterious large glass house in the middle of the woods. The author keeps alluding to its lack of privacy and the feeling of vulnerability of staying in it but it disappointingly doesn’t play as large of a part as you would expect it to besides adding an air of creepiness to the story. The development of the character of Clare, Nora’s best friend, leaves out certain key aspects that come out late in the novel. This novel is a quick read and a suspenseful page turner. It has a lot of twists that are unexpected and some that were kind of predictable. This novel is entertaining, however, and will leave you with chills.

My rating: 3.5/5 stars

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Review: “Milk and Honey” by Rupi Kaur

A review by Amanda

Milk and Honey uses free form poetry to tell the author’s experiences of survival. The book delves into childhood trauma, abuse, heartache, and healing. Divided into four parts, each focusing on a different part of her life, the poems and prose are emotionally raw and brutally open, often uncomfortably so. Rupi Kaur balances her unique perspective of life with the relatability of shared experiences of destructive relationships, misplaced trust, and finding oneself in the aftermath of disaster.

Readers will be drawn in by the author’s vulnerability and honesty. Emotional discomfort with the descriptions of trauma is likely at various points, but readers will be rewarded for following through. The prose is accompanied by simplistic illustrations that perfectly capture the feelings being conveyed. The author does not hold back. Readers will experience her emotions, ranging from fear, rage, shame, and sorrow to her passion, joy, relief, and love.

These are not epic poems that will take up too much of a reader’s time. Some pages have only a few lines, while others may have a paragraph or two. Each should be read with care, however, as every word contributes equally to the story. The lack of capitalization and haphazard grammar may seem careless but actually sets the tone for the author’s frame of mind, and does not in any way detract from the stories being told.

This book does contain descriptions of violence and sexual abuse and may not be suitable for everyone. I would recommend Milk and Honey to readers sixteen and older. Although it tackles heavy topics, it also offers hope for those who are trying to heal and it is absolutely worth reading and discussing.

My rating: 5/5 stars

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